Violin Fingerboard Mastery:
Contemporary Mapping Exercises and Improvisation Studies
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Develop your violin fingerboard knowledge and facility. Whether you are looking to unlock your ability to improvise, deepen your knowledge of harmony, compose new works, improve your musical memory, or strengthen your interpretation of Bach, having an intimate relationship with your violin fingerboard is essential. These exercises and etudes will forever change the way you look at the fingerboard and lay the foundation for improvisation within any musical style. You will learn: fingering patterns, practice approaches for improvisation, fundamental chords and arpeggios, a ten-step guide to practicing progressions, pentatonic scales and enclosure licks, navigation and voice-leading techniques for an array of harmonic relationships, five performance-ready jazz violin etudes, and more.
“Having heard Jason Anick’s brilliant performances and wishing to understand his magic, I found “Violin Fingerboard Mastery” to be everything I had hoped for and more. This book changes the way one hears music. It is insightful and clearly written. It maps harmony onto the violin fingerboard in an easy to understand approach. I can’t wait to spend more time with the exercises. I would recommend this book to every instrumentalist playing any genre of music.”
-Gil Shaham, GRAMMY-Award Winning Violinist |
SoundSlice COurses:
Jazz Violin Etudes
Jazz Violin Etudes (Part 2)
Jazz Violin Transcriptions:
| jason-anick-blues-transcription-score__1_.pdf |
| jason_anick_autum_leaves.pdf |
| jason_anick_solo_transc._of_marchin_08.06.2020.pdf |
| jason_anick_transcription_sunny_side.pdf |
Rhyhm Future Quartet Playalongs:
Download the Charts:
| rfq_playalong_track_charts_.pdf |
Play Along With Rhythm Future Quartet on Youtube
Camps:
Creative Strings Workshops w/ Christian Howes (July 8-12)
DC Music School:
Jason has just released three volumes of online Gypsy Jazz Lessons through DC Music School
Testimonials:
“Jason is an inspiring teacher. He has a truly amazing command of his instruments and is able to break down difficult technical problems in a simple and straightforward way. He also has a very deep understanding of melody, harmony, and rhythm and is able to reveal new ways of thinking about and approaching music and improvisation.” – Dan Bui, Student, Berklee College of Music